![]() ![]() ![]() ![]() The Coda, titled "The Way We Historicize Now", concludes the study with connections to recent debates about "surface reading", "distant reading", and the hermeneutics of suspicion. The book places realism's geopolitical aesthetic at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The material occasion for the Victorian era's rich realist experiments was the long transition from an informal empire of trade that could be celebrated as liberal to a neo-feudal imperialism that only Tories could warmly embrace. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power which a supposedly universalistic liberalism had helped to generate. Goodlad shows that the ideological crucible for "high" realism was not a hegemonic liberalism. Crossing literary criticism, political theory, and longue dure history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of. The traditional interest in beauty itself broadened, in the eighteenth century, to include the sublime, and since 1950 or so the number of pure aesthetic. Marx and Engels produced no systematic theory of literature or art. By looking at the category of "sovereignty" at multiple scales and in diverse contexts, Lauren M. Marxist Literary Criticism: An Overview By NASRULLAH MAMBROL on Janu ( 2). ism opposes idealistic epistemologies and asserts a realistic one: being is pr. Forster and the creators of recent television serials. the realistic novel is to a considerable extent a literary critique of society. How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the "geopolitical aesthetic" continue to resonate today? Crossing literary criticism, political theory, and longue duree history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope, as well as successors including E. ![]()
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